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Which I didn’t understand, because I’ve been working pretty hard.” Oberst retains a healthy skepticism about the whole experience but doesn’t deny the desire to believe in his glimpse at the great beyond.
“Maybe because [the psychics] believe it so strongly,” he says.
One of the spirits that she sensed was a man in my family from a couple generations back who was dissatisfied with my pace and wanted to push me further.
“What’s religion other than a little guidance, a little bit of peace of mind? He was so much younger then, he’s older than that now.
Some way to help calibrate your life so that you don’t feel so separate from everything.” Connection is what is all about. My voice keeps getting lower, and it’s starting to bum me out. It was 1999 when I met 19-year-old Conor Oberst for an interview at a vegetarian café the day of Bright Eyes’ debut in Philadelphia.
But Bright Eyes’ latest album, an orchestral-country passion play for the 21st-century decline, is the heaviest thing he’s ever done.
By Matthew Fritch They say it takes a worried man to sing a worried song.
Not to mention polar ice caps, hurricanes, poor black children and a frightened middle class. and Bruce Springsteen, well, that’s kind of like saying is full of symphonic, weird, cosmic country/rock, and it’s more than a little confusing.